‘Dau’ Review: Ilya Khrzhanovsky’s Vast Cinematic Experiment in Historical World-Building Remains More Impressive From a Distance

More than six years after Ilya Khrzhanovsky premiered “DAU. Natasha” and “DAU. Degeneration” at the Berlin Film Festival — right before the global COVID lockdown — to a politely muted reception and limited distributor interest, you might think the moment has passed for another missive from the DAU Cinematic Universe. Turns out, however, that you […]